This work celebrates the Guler aesthetic in Sikh paintings, bringing to light new evidence, inscriptions, and the signatures of master painters from the Guler school. Nainsukh, a pioneer of the naturalistic style, is highlighted for his innovative blend of Mughal and native artistic traditions, which gave rise to a unique style that influenced Sikh art profoundly.
The book explores the interplay between Guler painters and their patrons, delving into the cultural and historical context of their creations. It examines the evolution of Guler idioms in Sikh paintings from 1730 to 1850 and their regional adaptations, including the Chamba variants (1820–1850) and Phulkian expressions (1830–1880).
Further, it provides an in-depth analysis of the ateliers of Kapurthala and Una, active between 1800 and 1850, showcasing their contributions to the legacy of Guler art. Complete with photo credits and a selected bibliography, this book is an indispensable resource for those passionate about Sikh history and art.